To the extent that AMC’s ad business grows, and its ad business becomes more systemically important to its overall health, it’s going to be even more dependent on hits, and on keeping a steady (and expensive) pipeline of content in the works. (An audience of 10 million is huge for cable, but regular primetime programming on big networks routinely meets or exceeds that number. To some extent, they’ll need to pay top dollar for the best actors, writers, scripts, and pitches. Home Economics (TV Series) cast and crew credits, including actors, actresses, directors, writers and more. In AMC’s case, distribution revenues are a function of Total Network Subscribers, or more precisely, the number of TV-watching homes who happen to subscribe to any cable package that includes AMC. High spec prices usually result from bidding wars between the networks. Breaking Bad uberfan Jeffrey Katzenberg, co-founder of Dreamworks, reportedly offered to pay $25 million per episode to produce three more episodes. Jerry: Well, maybe in philosophy. NBC, which has languished near the bottom of the ratings pool for a few years in a row, now suffers from the lowest average advertising rates of all the major networks. Here is a look at eight of the best television shows about finance. Or, you can flip on the television and find a show about investing in stocks, saving for retirement or increasing your business savvy. Recall that AMC raised the price of a 30-second spot on the finale of Breaking Bad to as much as $400,000. The Economics of Information, Communication, and Entertainment The European Heritage in Economics and the Social Sciences The Milken Institute Series on Financial Innovation and Economic Growth The New York University Salomon Center Series on Financial Markets and Institutions And only hits will keep it there. And they were watching it on AMC, a cable channel that once cut its teeth airing reruns of black-and-white movies. You can get your financial advice from books, friends, life experience or Investopedia. She’s now developing “Money Wars,” a new daily show where she will help friends, families and couples solve disputes they have over money. How to create content marketing that performs. compete with Netflix on a similar pricing structure, a network will order about 20 pilots and bring 6 to the air, now suffers from the lowest average advertising rates, many as four scripts could be finished by the time the pilot debuts on TV, NBC paid $1.2 billion for exclusive rights to the London Olympics, 5.9 million viewers tuning into the premiere of the final season, approximately double the rate advertisers pay. With the rise of Mad Men, Breaking Bad, and The Walking Dead, AMC has gone from late-night backwater to must-see TV in only six years. A TV show begins its life in one of four larval forms: a pitch, a script, a piece of source material, or a talent deal. A writer who sells her script has a depressingly small chance of ever seeing it on the air. It covers both fictional and documentary films. The strength of a pitch has as much to do with the team behind it as it does the concept. And, as a distributor, it doesn’t need to rely on selling itself to Comcast or DirecTV. Viewing Subscribers grew like gangbusters in 2009 at 23% year over year (Breaking Bad premiered in 2008 and first gained traction in 2009; Mad Men had premiered in 2007). If everything gets the axe, there’s no time to develop something new. A poorly received pilot is unlikely to attract advertising dollars. Five hundred or more pitches may wend their way through the system in any given year. Then the audience nearly doubled between 2011 and 2013, with more than 5.9 million viewers tuning into the premiere of the final season. Gilligan admits that the pitch “was turned down all over town” before AMC purchased it. This one is hosted by—you guessed it—Jim Cramer, and his main goal is to help people become better investors. Millennials: Finances, Investing, and Retirement. Nevertheless, they must be presented as if in finished form. A pitch involves writers and agents presenting concepts to studios, production companies, or networks. Why would Netflix – to say nothing of Amazon and Microsoft – want to copy the AMC model? An inexperienced or obscure writer is unlikely to get a pitch meeting and unlikelier still to close a deal. 20th Century Fox is in turn a division of Fox Entertainment Group, itself a subsidiary of 21st Century Fox, which also happens to own the Fox movie studio. But keeping Breaking Bad on the air was a big investment. AMC’s financial reporting doesn’t offer us an in-depth glimpse into the precise effects of Breaking Bad, Mad Men, The Walking Dead, or other shows on its ad sales or benefit compared to their cost. But this handful of showsappears to have driven a $75 million increase in ad sales last year. A string of hits elevated AMC from a $750 million company in 2007 to a $1.25 billion company in 2012. There are plenty of television shows out there if you’re looking for some solid financial advice. A story line that made for a compelling pilot can’t hold an audience’s interest for 22 episodes a season….Overly acquiescing to focus groups can lead to a bland finished product…”. A cabler in the rerun business might earn a modest amount on advertising, especially if it curates a portfolio aimed at a specific demographic (old shows for old people, for instance). Up front. Viewing Subscribers is largely responsible for advertising revenues, which are pegged to active eyeballs the network can claim to reach. The offers that appear in this table are from partnerships from which Investopedia receives compensation. Season 5 Episode 14 "Two Weeks" Teaching of Economics (A20) Unemployment (J60) And it grew at 19% from 2011 to 2012, the same year Breaking Bad doubled its audience size. A successful upfront presentation is more Steve Jobs than Steve Wozniak. The New Economics of TV's Reboot Craze by Mikey O'Connell. That means a script has a 20% chance of being produced as a pilot and a 6% chance of being aired on television. It gives them must-see television that they can, in turn, use to demand higher distribution fees. Advertisers will scrutinize them at the upfronts, often on the basis of short clips and word of mouth. Keep reading to learn how to best utilize these clips in the classroom or click on the button below to browse and search our full catalog of clips. Economics U$A is a telecourse series covering the subjects of microeconomics and macroeconomics. After all, Netflix is a healthy business with lots of subscribers. But almost nothing is certain about the fate of a show this far out. Find dates/times here. There’s very little time to make changes before the start of the Fall season. It’s the on-demand platform of choice for millions of viewers, perhaps even cannibalizing those viewers from the TV networks themselves. (The Daily Variety, a Hollywood trade publication, credits a 2011 partnership with Netflix for the big jump. Why sit around watching an old movie channel when you can push a button on Netflix and get exactly what you want, when you want it?